public space

Spatial inequalities: understanding the suburbs of Rio de Janeiro

Suburbs are geographic spaces located in the marginal or peripheral areas of the city. It is a space produced next to the city but, due to its geographical location, types of construction and uses are dissociable from the space considered urban (FERNANDES, 2011). The perception of peripheral and suburban areas by scholars and the general public varies geographically and over time. To better understand these variations, we should take into consideration the particularities and history of occupation of suburbs worldwide.  

At the beginning of the 19th century, the suburbs of the city of Rio de Janeiro were occupied by large religious properties belonging to the orders of the Catholic Church or by private mills and farms. After the arrival of the Portuguese crown to the city in 1808, the management of these lands was given to the Crown and wealthy members of the Portuguese Court. During that time and until the end of the century, these suburban regions served as areas of agricultural production and housing for members of the upper and middle classes, who were able to afford the costs of living far away from the crowded city center.  

However, with the new development plans initiated by the mayor Pereira Passos in 1903, aimed at “beautifying” the downtown, a new spatial organization emerged and profoundly altered the structure and territorial characteristics of the suburbs. New neighborhoods emerged from settlements occupied by working classes and low-income communities - now evicted from the city center. Without establishing any urbanistic standards and lacking effective relocation policies “a spontaneous configuration of occupation took shape: poorly drawn rough earth streets, without curbs, were appearing everywhere. New constructions were made in inappropriate lots, lacking alignment”, as described by Nestor Goulart dos Reis (1977, p. 53).

“The suburbs of Rio de Janeiro are the most curious thing in terms of buildings in the city. The topography of the site, capriciously mountainous, certainly influenced it, but what influenced it most, however, was the misfortune of the constructions. Nothing more irregular, capricious, and unplanned can be imagined. The houses appeared as if they were sown through the wind, and after the houses, the streets were made. Some of them start as wide boulevards and become narrow-like alleys. They take turns, useless circuits, and seem to escape the straight line with a tenacious and holy hatred. Sometimes they were built in the same direction with an annoying frequency, others were built far away. In an area, there are houses crowed in a space, and just ahead a vast field gives us a broad perspective. So, this is how the buildings are located and the street layout. There are houses for all tastes and constructed in all shapes.”[1] 

Another significant milestone that directly influenced the occupation of the suburbs of Rio de Janeiro was the implementation of railways, starting at the end of the 19th century. Railways were potential vectors of expansion to this territory, which were previously remote and inaccessible for the majority of the population. The matching identity of suburbs and railways in Rio de Janeiro is so striking that it requires a very detailed examination. Differing from other cities in Brazil, where the geographical distance from the city center defines the suburban limits, only in Rio the region of neighborhoods crossed by railways are considered suburbs, even if there are other zones equally distant from the downtown. Such specificity was defined by the common sense of the train as a main way of transportation for working classes and minority groups who maintained a dependent spatial relation with the city center (SOARES, 1960 apud FERNADES, 2011). Fernandes (2011) saw in this “ideological kidnapping of the term suburb” justification for the construction of a negative and disqualifying view of this region. In fact, in terms of development levels, the railway suburb – formed essentially by lower and mid-class neighborhoods, is the most neglected area in comparison with other regions of the city in terms of urban planning, conservancy, and management.

Throughout history, the stigmatized views of the suburbs were also able to influence urban development plans for the city that often focused on the functionalist character of this region. One of the most iconic projects was the Agache Plan. The French architect Alfred Agache, hired by the mayor Antônio Prado Júnior in the late 1920s, suggested the adoption of an urban policy favoring the construction of cheap housing in the suburbs, which would also be endowed with basic urban infrastructure. Although not implemented in practice, the plan became a symbol of socio-spatial segregation and the dichotomy between bourgeoisie × proletariat in the city of Rio de Janeiro.

Nowadays, this inheritance of a sign-ideological representation of socio-spatial segregation in the city still characterizes the selection of criteria for urban municipal actions and seems to occur based on the demand of the economic elites. This distinction is even more evident when the object of study is public space. In 1999, Tangari compared the existence and distribution of public spaces throughout the city. She found that only 8% of public spaces were located in the suburbs, and together, they added up to less than 100 hectares, while in central and southern regions – which have the highest income levels – open spaces occupied around 1,000 hectares of the territory (TANGARI, 1999).

Unfortunately, over the past years, there was no urban development concept to address these structural disparities where the State has just reinforced spatial inequalities in a clear demonstration of how investments are applied based on geographical location. In the suburbs, public spaces have been relegated to a mere potential solution for speeding up suburban commuters to and from the downtown. Interventions such as the creation of bus rapid traffic corridors (BRT) and the enlargement of existing roads based on an outdated automobile-oriented transportation system have been responsible for building more significant physical barriers, especially in low-income neighborhoods and racial and ethnic minority communities. These barriers that often segregate many of these peripheral neighborhoods develop a place devoid of identity and highlight the existing racial and social divisions that have shaped the city.

[1] Excerpt of the book “O Triste Fim de Policarpo Quaresma” (The decline and fall of Policarpo Quaresma), where the author gives a brief description of the suburb of the City of Rio de Janeiro at the end of the 19th century. The book was originally written in Portuguese by the Brazilian writer Lima Barreto and translated to English by Francis K Johnson.

References

FERNANDES, Nelson da Nóbrega. O rapto ideológico da categoria subúrbio: Rio de Janeiro 1858-1945. Rio de Janeiro: Apicuri, 2011.

REIS, José de Oliveira. O Rio de Janeiro e seus prefeitos: evolução urbanística da cidade. Rio de Janeiro: Prefeitura do Rio de Janeiro, 1977.

TÂNGARI, Vera Regina. Um outro lado do Rio. 1999. Tese (Doutorado em Arquitetura e Urbanismo) – Faculdade de Arquitetura e Urbanismo, Universidade de São Paulo, 1999.

TÂNGARI, Vera Regina; SCHLEE, Mônica Bahia; ANDRADE, Rubens de. (org.) Sistema de espaços livres: o cotidiano, ausências e apropriações. Rio de Janeiro: UFRJ, 2009.

Public spaces and cities: open access publications that you shouldn't miss!

Public spaces are inherently designed to be free spaces, open to everyone, regardless of the social class, age, gender, or race. They are tied to Henri Lefebvre’s concept of The Right to the City, which states that individuals should have equal opportunities to benefit from the various aspects of urban life. Despite their significance in transforming urban life and city functioning, they are often being overlooked for many reasons, such as poor urban planning or financial constraints. However, cities that focus on environmentally sustainable, economically vibrant, and socially inclusive public spaces perform better.

Interested in learning more about how public spaces can boost livability in cities? I have gathered in this post some inspiring open-access publications that highlight how city leaders, policymakers, and urban practitioners can better plan, finance, and manage public spaces to achieve livable cities for all. Check them out:

1.     The Journal of Public Space – City Space Architecture

The Journal of Public Space is a research project developed by City Space Architecture, a non-profit organization based in Italy, in partnership with the UN-Habitat. It is an international and interdisciplinary open-access journal entirely dedicated to the study of public spaces.

2.     Land Lines Magazine – Lincoln Institute of Land Policy

Land Lines is a quarterly magazine of the Lincoln Institute of Land Policy that aims to explore not only public spaces issues but also a broader range of correlated matters such as climate change, housing, and land policies.

3. The Hidden Wealth of Cities: Creating, Financing, and Managing Public Spaces – World Bank Group

Launched in 2020, this World Bank’s publication discusses the complexities that surround the creation and management of successful public spaces and draws on the analyses and experiences of case studies around the globe.

Enjoy your reading!

Promenading living room in public

The Living Room is a public art installation located in front of the City Hall in Ottawa, Ontario. Urban Keios, an architectural design firm based in Ottawa, invites people into this living room in public and, “as visitors walk around and through The Living Room, a relationship between the participant’s body and each object at the site begins.”

Figure 1. The Living Room. The living room has a doorway, some chairs, a window and a television. Image source: Judy Chen. Ottawa, 2021.

Figure 1. The Living Room. The living room has a doorway, some chairs, a window and a television. Image source: Judy Chen. Ottawa, 2021.

Taking on the advantage of the setting, I entered the room through two different means—through the doorway as well as through the window. This experiment allowed me to experience promenade architecturale, a concept developed by Swiss-French architect Le Corbusier. Promenade architecturale emphasises on movement and stresses that as one follows an itinerary of a built space, images (not just fixed objects) unfold and the views develop. By promenading the space and with what I saw along my path in and through the room I created a relationship with the objects. I was intrigued by learning the different relationship I created with the objects and hence the changes in my practices. When I entered the space through the doorway, I saw the chairs and the TV and their relational position; I saw an event unfolding in front of me—that I was invited to sit, relax and watch the television. However, when I entered through the window and as I walked, the view changed—it was as if I was trespassing and I had this curiosity to keep walking and exploring around the room.

This type of private-space-in-the-public is very interesting. This living room in Ottawa inhabits a space that is neither inside nor outside, public nor private. Perhaps it is this indefinite feature that gives urban space its fluidity and imagination.

Figure 2. Doorway or window? Which itinerary would you follow? Image source: Judy Chen. Ottawa, 2021.

Figure 2. Doorway or window? Which itinerary would you follow? Image source: Judy Chen. Ottawa, 2021.

Figure 3. Promenading to, and later through, the living room. I stumbled across this living room as I was promenading through the City Hall while taking a short cut. Image source: Judy Chen. Ottawa, 2021.

Figure 3. Promenading to, and later through, the living room. I stumbled across this living room as I was promenading through the City Hall while taking a short cut. Image source: Judy Chen. Ottawa, 2021.

Block X Block: Building Real Cities Using Minecraft Video Game

Block by Block is a foundation in collaboration with UN-Habitat and Mojang (Minecraft creator) to use video game Minecraft as an urban planning tool, making it accessible for all city residents. The joint program of Block by Block provides a visualization tool that is easy to handle for all people, ranging from kids and youth to women and refugees. Through setting up workshops available across the world, more than 30 countries have successfully implemented dozens of projects led by local communities. The first workshop was held in Nairobi in 2013, paving the way for many more other inclusive experiments globally. 

The approach considered in this program aims to empower unheard voices in our communities, letting them explore their potentials in improving their surroundings. Through a digital platform, local participants, usually left out of the conversation, are being consulted in the process of shaping the public spaces they occupy on a daily basis. The spaces that this program targets are shared spaces such as parks, waterfronts, squares, etc. Upon completion of the design proposals, participants present their projects to local stakeholders, who then choose what to utilize from each proposal. A final model is therefore assembled, based on the local community choices and preferences. The model is then sent to professionals and architects who advance the virtual work into reality. 

The result is a co-created shared space, engaging people interested from all backgrounds and parts of society. This participatory approach merging two seemingly incompatible ideas, a video game and city planning, proves effective and succeeds in promoting a better urban future. A future where a sense of neighborhood ownership is ingrained among all types of residents, including the normally hard-to-reach groups. 

What do you see in Yellow?

In her essay, Lewis (2010) addresses the “Yellow Town” landscape phenomenon in Lexington, KY in which a massing of yellow signage colour codes the poorest parts of the city with a vivid wash of bright yellow (p.184). While this bright, shiny, primarily-yellow coloured signage associates with the poorest areas of the city, in “nicer” parts of the city more understated blues, greens or greys are seen.

These colours—specifically yellow and grey—make me think of the colours of the year. Last December the Pantone Colour Institute revealed two hues for its colour of the year 2021: the neutral Ultimate Gray (Pantone 17-5104) and vibrant yellow Illuminating (Pantone 13-0647). In the year with undercurrents of uncertainty—owing to the global pandemic—Pantone wants to highlight how different elements, in this case the two extremely independent colours, come together to express the message of strength and hopefulness.

From this perspective, the bright, highlighter-yellow colour signifies the light at the end of the tunnel, the sun rising over a dark landscape, and even the dawning of hope that comes with the vaccines. The yellow here stands in sharp contrast with the yellow in Lexington and many other cities with the “Yellow Town” landscape. If put outside of the context of a town or signages, does yellow naturally mean vibrancy and hope? If colours are intrinsically linked with psychological associations, why do yellow signs inadvertently receive complaints (Lewis, 2010)? Does colour change its meanings (if it ever has a predetermined, set meaning) with the materiality they radiate through?

The Prenez Place! installation project in downtown Montreal reflects the Pantone colours of the year. Designed and first installed in the summer of 2020, the project was conceived to safely accommodate and attract Montrealers to reappropriate this public space (located at the Hydro-Quebec park at Quartier des Spectacles) while respecting the sanitary regulations. A 100 meter “urban table”, in bright yellow colour, was implanted between the existing furniture and trees. Visitors were invited to discover the full length of the table, find their place at the table while maintaining social distancing measures, and enjoy the colourful and vivacious atmosphere.

Fig. 4 The Prenez Place! Installation in Montreal. Image source: Judy Chen. Montreal, 2021.

Figure 1. The Prenez Place! Installation in Montreal. Image source: Judy Chen. Montreal, 2021.

The bright yellow installation was joined by a palette of grey—the concrete pavement, the poles, and the fixed sitting furniture. ADHOC architectes, the team behind this installation, used bright yellow to brighten up the environment and to create optimism and fortitude following the difficult pandemic time. Yellow in this urban installation hence represents hope and joy.

This installation was a temporary festive public space and it was removed in October 2020. Earlier this month, the urban table is brought back again and this time with 200 meters of length. I was both surprised and pleased to see the urban table again. Temporary urban public spaces are constantly in the cycle of being produced, consumed, circulated and destroyed. The brightly-coloured yellow table is back into the urban cycle; it has not yet been destroyed and the stories it carries go on. It is this process that generates spontaneity and improvisation of urban space and hence creates rhythms to the urban life.

Fig. 5 The urban table is back this year, starting in July 2021. The extended urban table runs through the Hydro-Québec Park, down Clark Street to Sainte-Catherine Street. Image source: Judy Chen. Montreal, 2021.  

Figure 2. The urban table is back this year, starting in July 2021. The extended urban table runs through the Hydro-Québec Park, down Clark Street to Sainte-Catherine Street. Image source: Judy Chen. Montreal, 2021.  

Yellow may code poorer parts of the city. Yellow may represent hope and aspiration. What do you see in yellow?

Adaptative public spaces: building safe places for people during the COVID-19 pandemic

Closed streets in Manhattan, NYC. The initiative to open streets to pedestrians allowed communities to use public spaces - mainly in high-density neighborhoods - and was crucial to support small businesses during the COVID-19 shutdown. Author: Bruno Ragi (2020).

Closed streets in Manhattan, NYC. The initiative to open streets to pedestrians allowed communities to use public spaces - mainly in high-density neighborhoods - and was crucial to support small businesses during the COVID-19 shutdown. Author: Bruno Ragi (2020).

The COVID-19 pandemic and its restrictions have deeply changed the relationship of citizens to their streets, public spaces, and facilities. This crisis has shown the importance of public open spaces in combating the pandemic, either by directly limiting the spread of the virus, or providing ways for people to safely relax and carry out their livelihood. However, it has also demonstrated how public spaces are unevenly distributed throughout many cities - especially in low-income neighborhoods, where there are few shared open spaces such as parks, plazas, or playgrounds, highlighting the social and racial inequities that persist in our society. 

By revealing successful strategies and tactics, planners, designers, and community leaders have pointed the way towards more inclusive and adaptive methods in public spaces planning. From re-allocating road spaces to pedestrians and local businesses in NYC to adapting areas for food distribution or community food gardening in Rio de Janeiro, the shared use of streets and other open spaces has shown how public spaces have the power to be multi-functional and adaptable, helping our communities to address equitable access and envisage an end to the pandemic worldwide.